Posted by Nicole J. Caruth on April 20, 2012
In Country Ball 1989–2012, Appendix, a new performative video and 3-D animation from artist Jacolby Satterwhite, cakes are not delicious desserts but strange architecture. Some spiral up like Towers of Babel and their tiers serve as platforms for performance: Satterwhite appears on top of them — in multiples of himself — posing, swaying, bouncing, voguing. Other cakes peak like roller coasters and add to the general spirit of amusement park here; a phallic carousel slowly rotates at the center of this cakescape. In one scene Satterwhite werqs a “cake runway.” Occasionally, his body spurts neon-colored fluids. It’s unclear what these substances are but breast milk, cum, and frosting can’t be too far fetched. Cake is one of many pleasures in this sort of queer candy land, where idealized male bodies toil and play alongside the artist. What’s most extraordinary about this world Satterwhite has created is how his family figures into it.